Thursday 2 July 2009

Bob Lewis CD review

Ahead of next week's Folklore Society event involving Bob Lewis, I'm reposting here a review I wrote in Folk London of Bob's 2003 CD The Painful Plough. Apart from the link to the Veteran Music site, it's as written and published at the time.

THE PAINFUL PLOUGH – Bob Lewis (Foxide Music, RUST105, available from Veteran Music)

I’m always surprised that so few people seem to listen to recordings of traditional singers. There are some really excellent traditional singers still around, and Bob Lewis from Sussex is amongst the very best.

Like his earlier release, A Sweet Country Life for Veteran, the new CD contains songs that Bob learned from his mother, along with songs picked up from other Sussex singers like George Belton and Cyril Phillips.

Bob Lewis has a wonderfully warm voice. His delivery, too, is an absolute treat – understated and with minimal adornment, he concentrates on getting each song across with maximum clarity. This allows him a huge flexibility with his material. He is, I think, at his best on some of the intense and melancholy pieces he had from his mother (Live All Alone and Spread The Green Branches are standout songs which can only cause regret that Bob’s mother – a shy woman, apparently, but with an astonishing repertoire of great songs – was never recorded herself).

He also handles more rumbustious material well. Although not a barnstormer like Gordon Hall, he puts over comic songs like Farmer Giles or A Trip to Southend with great charm and humour. This fits neatly with Vic Smith’s useful notes describing him finding the intensity and formality of folk clubs as ‘rather strange’.

There are 16 songs (and a recipe!) on this CD. From the wistful to the comical, they are all characterised by Bob’s supreme mastery as a singer. This CD is an utter delight, repaying repeated listening. Go and buy one.

5 comments:

  1. Good cd. Bob has worked incredibly hard with his singing. Mum a lovely lady. Probably conscious of her flemish accent.

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    1. I remember her doing a lace making demo at the London Folk Music Festival in the seventies! Sure it was she. Didn't have her down as shy, but certainly an accent. Clever lady.

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  2. That's going back a bit! Bob sang there too. He sang everywhere. He went to loads of folk clubs and always had a floor spot (or two). I don't get why he says he found it 'rather strange.' Seemed to be a big noise in any folk club he went to. He sings great. Deserves recognition but in Vic's interview he goes on about formality, and how different it was before. I always thought he wanted to be well known and he should be but why all these hints that he's a puzzled country boy? He's got what he wanted so well done!

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    1. Only just found this blog so I looked up the interview with Vic Smith. I knew Bob very well for some of that time. A fine singer, - and storyteller!!!!!! Come on Bob! Your singing's good enough without all that adjustment and embroidery.

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    2. I read that too! Think the timescale has been altered a bit! "Story teller"????? He can't 'alf tell'em!! Good singer though.

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