Hello! Anybody there...?

I had the great joy last week of getting in person to a Folklore Society Council meeting again, after my previous attempt was thwarted by finally catching COVID. The meeting was followed by a quite bracingly excellent Katharine Briggs lecture by Katherine Langrish, and the announcement of the Katharine Briggs book award winner – Folklore, Magic, and Witchcraft: Cultural Exchanges from the Twelfth to Eighteenth Century, ed. Marina Montesano (Routledge). I have read a couple of the shortlisted books and can confirm their excellence, so anything that beat them must be worth a look. Edited collections don’t always do so well in the final placings, so it’s impressive to see such volumes both winning and making it to runner-up (the outstanding The Routledge Companion to English Folk Performance, eds Peter Harrop and Steve Roud (Routledge), which I reviewed highly favourably in the Folk Music Journal).

 

Katherine Langrish

Not the least part of the joy of the evening was socialising again, catching up with dear colleagues I hadn’t seen in an age. I may have some moderately gregarious tendencies, even though I am quite happy beavering away at my desk, with the result that I do not always realise that I have actually accomplished stuff unless I tell other people.

 

Which may be where the title comes in. Kenneth Horne, usually seeking commercial assistance of some more or less ludicrous kind, would call out the introduction in his fruitily suggestive tones in episodes of the 1960s radio comedy series Round the Horne. What followed was an encounter with the latest hilarious and rather risqué business venture of sometime theatrical couple Julian and Sandy (played by Hugh Paddick and Kenneth Williams), with Horne a game and delighted straight (in every sense) foil to their camp.

 

The scripts and performances are hilarious and still stand up, but they are lent considerable extra power by their context. These two evidently gay characters appeared regularly at a time when homosexuality was only just in the process of being decriminalised. There was no pretence here: as Noel Coward once told Nancy Spain about her frock, they ‘wouldn’t fool a blind child of nine’. But they also spoke in an argot cultivated both as defence mechanism and as a means of disguising their criminalised conversation: Polari.

 

Polari was a specific language usage by gay men, but it had common roots with other argots and street languages, including among theatre and carnival people. (It’s always amused me that the rather macho and aggressively straight Ewan MacColl included in one song a slang word he’d obviously heard from truck drivers which is also well known in Polari). This was where I mostly heard it, and still do to some extent.

 

Times change, and usages change, and it is possible that the appearance of Polari in Round the Horne marked some sort of decline in its necessary use as a defensive measure even as it popularised some parts of it. Enter linguist Paul Baker, whose charming and readable history of Polari, Fabulosa!, charts its early life but also follows a more stubborn persistence. It’s a terrific book, and I had the great pleasure of talking to Paul about it and about Polari. I’d all but forgotten I’d done this, in fact, but it is now finished as part of a Folklore Podcast episode on the subject. Clap your Polari lobes on it here.

Paul Baker

This is what I mean about forgetting things I have actually done, perhaps because they were entirely done at my desk without direct personal contact. I was delighted to be reminded of my conversation with Paul at about the same time I was reminded of another online conversation I’d had. This was about a longstanding interest of mine – cannibalism at sea. A while back, those lovely people at Casting Lots: A Survival Cannibalism Podcast got in touch via Twitter. In the course of the correspondence they even called me a ‘cannibalism celebrity’, and then appeared pleasantly surprised that I had immediately put this on all of my biographical material.

 

For their final mini-season they wanted to have a chat with some people they’d cited along the way. I am always happy to talk cannibalism with anyone, and we spent a fun afternoon chatting about the Custom of the Sea. This has been worked into one of their ‘Dinner Guests’ episodes, and is now available. I think between us we must have done every pun on cannibalism that has ever existed, so I won’t repeat any of them here. All I will say is that it’s out now, and it turns out I haven’t just been locked away to no purpose.

 

As it happens, another long outstanding piece of work has also finally seen the light of day, but that is for another time. For now – just tuck in. (Oh. I said I wasn’t going to do that, didn’t I?)

Katharine Briggs evening 2012

Is it that time of year again already?

Tomorrow night is this year's Katharine Briggs evening at the Folklore Society. The FLS, like every other society, has developed its own ritual year, and the Briggs evening is one of my very favourite parts of it.

It begins with the Katharine Briggs lecture, which this year will be given by David Atkinson on 'The Ballad and Its Paradoxes'. David is editor of the Folk Music Journal and one of those satisfyingly unshowy scholars who are (quite rightly) most interested in the intellectual content of their work. A few years ago I saw David give a typically brilliant conference paper, rich and stimulating: he was rather deflated that there were no questions afterwards, but this turned out to be because every scholar in the field was trying to assimilate and grapple with his ideas. Over the next couple of days every interesting paper I saw was marked by a moment when the scholar would suddenly say 'And THIS is something David Atkinson raised yesterday ...' It's the best kind of scholarship, and I'm very much looking forward to hearing him again.

The lecture is also followed by a wine reception and the announcement of the winner of the Katharine Briggs book award. This manages to be both jolly and inspiring, as the award was set up to promote the publication of folklore books. This year's shortlist looks to cover a lot of bases, popular and academic. I've seen some of the other titles that were submitted (they'll be on display during the evening tomorrow) and I think there was quality in depth this year. The shortlist's exciting:

Dave Arthur, Bert: The Life and Times of A.L. Lloyd (Pluto)
Regina Bendix and Galit Hasan-Rokem, eds, A Companion to Folklore (Wiley-Blackwell)
R. Andrew Chesnut, Devoted to Death: Santa Muerte, the Skeleton Saint (Oxford University Press)
Sara Hannant, Mummers, Maypoles and Milkmaids: A Journey through the English Ritual Year (Merrell)
David Hopkin, Voices of the People in Nineteenth Century France (Cambridge University Press)
Craig Koslofsky, Evening's Empire: A History of the Night in Early Modern Europe (Cambridge University Press)
Katherine Luongo, Witchcraft and Colonial Rule in Kenya, 1900-1950 (Cambridge University Press)
Emily Lyle, ed., Galoshins Remembered: ‘A Penny Was a Lot in These Days' (National Museums of Scotland)
Mark Stoyle, The Black Legend of Prince Rupert's Dog: Witchcraft and Propaganda during the English Civil War (University of Exeter Press)
Marina Warner, Stranger Magic: Charmed States and The Arabian Nights (Chatto & Windus)

I've commented on a couple of these titles here already. I have others (and others from the longlist) sitting on my desk awaiting review in various places, and I hope to comment on a few more here. I'm looking forward to catching up with some old friends and esteemed colleagues at an event which really seeks to set out folklore's stall in the best possible way.

Katharine Briggs evening 2011

Before I head off to the South East London Folklore Society for my talk tonight I should mention last night's Katharine Briggs evening at the Folklore Society. I'm a bit thick-voiced after the reception, which is normally an indicator that a jolly time was had: there were a number of comments to the effect that the Briggs evening is acquiring a customary life of its own as a seasonal event, with regular visitors and a formalised tradition of how it all unfolds. It was also a nice chance to meet other scholars I didn't know, authors whose books I'd reviewed but whom I didn't know, and people I'd so far only spoken to on Twitter.
The Briggs lecture was given by Michael Rosen on 'The Folk Tradition: What Do We Do With It?' (The accompanying picture, blagged from his website, shows Mike at the Ledbury Poetry Festival). His engaging performance was really about the folk traditions that play out in his work. He laid particular emphasis on the range of such traditions and the interactions involved in eliciting and documenting them (for example in getting children to collect from each other and from their parents). Much of this isn't overly controversial for contemporary folklorists, but it was refreshing to hear a reasoned and entertaining defence of collecting whole repertoires rather than selective documentation. It was also very nice to hear the audience respond with a realisation of the wealth of folkloric material they have heard throughout their lives.
The Katharine Briggs book award went to Herbert Halpert and J.D.A. Widdowson, Folk Tales, Tall Tales, Trickster Tales and Legends of the Supernatural from the Pinelands of New Jersey: Recorded and Annotated by Herbert Halpert between 1936 and 1951 (The Edwin Mellen Press, 2010). I'm very excited about this book, which sounds remarkable. I've long admired Halpert's fieldwork and his scholarship, and I'm pleased to see recognition given to what, in some ways, was a pinnacle of his work. Receiving the award John Widdowson said the book had become Halpert's 'life work': towards the end of his life he had almost lost sight of publication because of his ongoing research and annotation. Widdowson also paid tribute to their publishers. Where other publishers had wanted to cherry-pick stories and ditch the scholarly apparatus that make the project so valuable, Edwin Mellen took the manuscript on in its entirety. That was almost the most encouraging part of the story. It is still possible to produce books of serious scholarly folklore research. That is also cause for celebration, and is a fitting tribute to Herbert Halpert and his work.

Katharine Briggs Award shortlist 2011

The judges have announced this year's very strong shortlist for the Katharine Briggs Award. The book prize was established to encourage the study of Folklore, to help improve the standard of Folklore publications in Britain, to establish The Folklore Society as an arbiter of excellence and to commemorate the life and work of Katharine M. Briggs. The shortlisted titles (alphabetical by author) are:

Gary Fine and Bill Ellis, The Global Grapevine: Why Rumours of Terrorism, Immigration and Trade Matter (OUP, 2010)
Patricia Fumerton and Anita Guerrini, Ballads and Broadsides in Britain, 1500-1800 (Ashgate, 2010)
Herbert Halpert and JDA Widdowson, Folk Tales, Tall Tales, Trickster Tales and Legends of the Supernatural from the Pinelands of New Jersey: Recorded and Annotated by Herbert Halpert between 1936 and 1951 (The Edwin Mellen Press, 2010)
Alessandro Portelli, They Say in Harlan County: An Oral History (OUP, 2010)
Steve Roud, The Lore of the Playground: One Hundred Years of Children's Games, Rhymes and Traditions (Random House, 2010)
Jay M. Smith, Monsters of the Gévaudan: The Making of a Beast (Harvard UP, 2011)
Alexandra Walsham, The Reformation of the Landscape: Religion, Identity, and Memory in Early Modern Britain and Ireland (OUP, 2011)
Jack Zipes, The Enchanted Screen: The Unknown History of Fairy-tale Films (Taylor and Francis, 2010)

My congratulations to all the authors. The winner will be announced at the Katharine Briggs Evening, 9th November (see the FLS Facebook page or the website for further details). The Briggs lecture will be given by Michael Rosen on 'Folk tradition: What do we do with it?' Alessandro Portelli, one of the shortlisted authors, will also be in London the night before to give the Raphael Samuel Memorial Lecture at the Bishopsgate Institute.

Shortlist for the Briggs Award 2009

The Katharine Briggs Award is the annual book prize of the Folklore Society. There's a particularly strong shortlist this year, with the Judging Panel saying they were 'pleased to report ... a substantial number of good quality entries'. (The length of the list gives some idea of this, as many previous shortlists have only been about 6 books long).

Alphabetically by author, the shortlist is as follows:

Bever, Edward, The Realities of Witchcraft and Popular Magic in Early Modern Europe (Palgrave Macmillan)

Davies, Owen, Grimoires: A HIstory of Magic Books (Oxford UP)
Evans, Nicholas, Dying Words: Endangered Languages and What They Have to Tell Us (Wiley-Blackwell)
Fimi, Dimitra, Tolkien, Race and Cultural History (Palgrave Macmillan)
Hutton, Ronald, Blood and Mistletoe (Yale UP)
Marsh, Kathryn, The Musical Playground: Global Tradition and Change in Children's Songs and Games (Oxford UP)
Mees, Bernard, Celtic Curses (Boydell & Brewer)
Newton, Michael, Warriors of the Word: The World of Scottish Highlanders (Birlinn)
Sumpter, Caroline, The Victorian Press and the Fairy Tale (Palgrave Macmillan)
Sutherland, Alex, The Brahan Seer: The Making of a Legend (Peter Lang Ltd)

The winner will be announced, as usual, at the buffet following the Briggs Lecture. That takes place this coming Tuesday, 10th November, at the Warburg Institute, Woburn Square, London, at 6.30pm (more details here).

I'm also very much looking forward to the lecture itself. Professor John Widdowson, a former President of the Folklore Society, will be speaking on 'Folklore Studies in English Higher Education: Lost Cause or New Opportunity?'. Professor Widdowson played a crucial role in establishing the Centre for English Cultural Tradition (CECTAL) at the University of Sheffield. I did my Masters in Folklore there in its later guise as the National Centre for English Cultural Tradition (NatCECT).

Like many English folklore scholars I have some anxieties over the future (and, indeed, the present) of it as an academic discipline here. That isn't a national/regional concern: although it fares somewhat better in Scotland, it is still not in a particularly strong position, and even some of the bigger American schools have been affected by cuts and retrenchments. Indeed, what makes Professor Widdowson's lecture even more valuable is his long experience at Memorial University, Newfoundland. It may not make comfortable listening, but I expect a customarily thoughtful and incisive appraisal.